567: “A Series of Tales” (Arthur Conan Doyle)

                “You have degraded what should have been a course of lectures into a series of tales.” -Arthur Conan Doyle, “The Adventure of the Copper Beeches”

                In the last weeks I’ve been spending lots of time at my desk, revising my dissertation, thinking about arguments and stories and how they make different kinds of space for thoughts and relationships. It’s exhausting, consuming. Sometimes inspiring, especially as my dissertation is interwoven with my friends: conversations we’ve had, concerns we carry, hopes we share.
                In the last weeks my partner and I have also been reading Sherlock Holmes stories out loud together. Sometimes in the evening we listen to Holmes audio books and work on a puzzle together, watching mountains and trees as the pieces meet. When I was ten, eleven, and twelve I spent hours doing something similar with these same stories. I was putting together legos, then, my hands playing as my thoughts followed Sherlock Holmes. Reading out loud from Copper Beeches, or listening to my partner read out loud, I find another delight in tales: the delight of telling them again. 
                There’s a lot I love about Sherlock Holmes stories. There’s also a lot of awfulness, from the casual sexism and racism to the rational-as-all triumphalism that somehow protects both. I read out loud and hear the audio books I used to listen to. That voice still in my head. I listen to my partner read and remember untangling these mysteries as a kid. We can make and remake the stories of our childhood, the moments of determination and joy, the quiet misgivings that I didn’t know how to say then but I can say now. How wonderful that stories can live and then live again, changing. Reflecting how we’ve changed.

563: “No Single Thing” (Christopher Huang & Nghi Vo)

                “Surely a man like Colonel Russell couldn’t be the casualty of someone else’s story?” -Christopher Huang, A Pretender’s Murder, p. 116

                “I am a thousand stories of Northern Bell Pass, and an illustrious career in the capital, of a northern tribunal tricked. I am a father and a grandfather as well as a cleric, because no single thing takes away from the rest.” -Nghi Vo, Mammoths At The Gates, p. 112

                One of my least favorite things that fictions do is act like there’s a main character. A someone who all this swirls around. A someone who will necessarily make the key decision at the decisive moment. A hero. A villain. I think A Pretender’s Murder is commenting exactly on that: on the strange patterns some cultures have of reading themselves as the most important protagonist.
                One of my favorite things that fictions do is notice how so many threads weave together here, with no single thinking taking away from the rest. Mammoths At The Gates ends with a series of stories: connected and almost contradictory visions of who someone is, of who we are in gathering to hear about them, of who we all are together as we go on. Maybe I’m thinking about that modern phrase, main character energy, and about how wonderful it is to be another thread weaving through so many stories. I go for a walk and folks walking or sitting nearby wave at me. I wave back. Some of us are friends and some of us aquaintances and some of us strangers who live near one another. I love the stories that feel like that.

555: “What Do I Toss?” (Stephen Spotswood)

                “When I began the chore of writing all this down, I found I had to keep making the same big decision over and over again. What do I keep and what do I toss?” -Stephen Spotswood, Fortune Favors the Dead, pg. 98

                It certainly does feel like a chore sometimes: sitting down to type something out, to untangle and re-tangle thoughts and images into memories and scenes, people and relationships. There is so very much to put together. Today’s applecore, waiting on the cutting board to be sliced for the compost pile. My partner talking on a zoom call. My friends, a state away, and our long phone call. The cat I’d never seen before watching me through a window. “What do I keep and what do I toss?”
                And it’s not a chore, too. Also. At the same time. A delightful both-and, with meanings branching to meanings, moments nestling into movements. Because in the apple core is the cold water as I washed the apple this morning, and the rock of the knife, cutting slices to share with my beloved, and the sweet kiss of all that sunshine gathered into apple. In my partner’s zoom call (half overheard) are ideas about representation and community and delight. That’s what she’s talking about, and we talked about that too. Including on a walk some weeks ago, the sunlight warm on my bare arms as winter lingers in the shade of the trees. My friends a state away, and also their last visit, and the next time I might visit them. I don’t keep things or toss things. Maybe that’s why it’s less of a chore. I write in circles to feel the all this inside all this, circling and inside, again and again. A cat watching me through the window. The next time I walk by it’s gone, but we’re woven together. In its fur I felt warmth, a stranger, and I also felt the warmth of a cat I knew when I was nine.